![]() And even that existed in the subterranea. Queer tango as a movement itself didn’t emerge until the 1990s. In the history of tango there are many examples of same-sex couples, of men dancing with men and women with women.” Eventually, dancing with a partner of the same gender was disparaged for reasons of “immortality,” and gay coupling was erased from tango’s history.īut, Docampo noted, “it wasn’t always like that. The dance, with its jumbled history, became known as “music of the immigrants.” That is, until it reached the inner city, where people of all classes began to enjoy tango dances and the accompanying gramophone records.Īs the tango craze struck the city, men led full-skirted female partners and other tuxedoed men through the streets –– they danced with whoever they could find to practise their new moves. The recent influx of immigrants to the sister cities created a cultural dust storm that spun together the European waltzes and polka with African candombe and Cuban habanera. “It’s the before and after in the tango world,” she said.Ĭonsult the history books, and the answer begins in the late 19th century in the working-class areas of Buenos Aires and Montevideo. ![]() For 60-year-old documentary filmmaker and expert Liliana Furió, it’s all relative to the creation of Tango Queer. The history of Argentina’s iconic dance is long, winding – and it depends on who you ask. But, Docampo explained to the Times in an interview, the queer tango movement forced progress disseminating the idea that women were questioning gender roles and queer people interrogating heteronormativity began a gradual remodel of the norms both inside and out of dedicated queer spaces. Many of the traditional tango spaces were initially resistant to the change. “And I wanted to be able to guide with either a man or a woman.” “My desire was to dance with other women,” said Docampo simply.
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